House of Usher

Despite being the product of Roger CormanÕs AIP exploitation studio,ÊHouse of UsherÊenjoys a high standing. But while the impact and cult status of CormanÕs Edgar Allan Poe cycle is often discussed in histories of gothic, horror, and exploitation cinema, no extended analysis and critical discussion has been published to date that explores specifically the aesthetic appeal of House of Usher. This DevilÕs Advocate provides a complete study of the aesthetic appeal of CormanÕs influential first Poe picture.

Evert van Leeuwen explores the underlying narrative structure borrowed from PoeÕs original story and shows how closely Richard MathesonÕs script followed PoeÕs theory of short fiction. He goes on to explore the formal techniques of allegory and symbolism employed to represent the house as a monster before focusing on CormanÕs imagery, showing how the use of specific camera angles, lenses, colors, and sound effects create and sustain the simultaneously morbid and beautiful atmosphere of gothic decay. Finally, he situates horror icon Vincent PriceÕs performance as Roderick Usher in the context of the nineteenth-century Romantic misfit and the postwar countercultural antihero, two closely related cultural identities.